Halion One sounded good and could be very useful, but offered only very limited potential for editing, so anyone whose explorations of MIDI went beyond the most basic dabblings was likely to want something more sophisticated. It made sense for Yamaha's expertise in designing synths and sound modules to be brought into the Cubase world, and so it was, initially as part of the free Halion One instrument bundled with Cubase 4.
Halogen sonik synth pro#
Much of the original Hypersonic content would soon reappear as the free Xpand! plug‑in bundled with Pro Tools, but that was the end as far as Cubase and other VST or AU‑format hosts were concerned.īy this time (are you keeping up at the back?), Steinberg themselves were also under new ownership, as part of the leviathan Yamaha empire. However, by the time it came out, it was already clear that Hypersonic 2 was likely to be the final version, as Wizoo had been taken over by Steinberg's rivals Avid. Since these parameters included fully fledged subtractive, FM and wavetable synthesis engines, Hypersonic 2 concealed a remarkable amount of power beneath its unassuming exterior. And when Hypersonic 2 came out in 2006, it retained all of these core virtues, but added an excellent arpeggiator, an expanded sample library, and, best of all, the ability to edit every parameter in every sound, should you so wish. It was versatile, it was easy and quick to use, and in general, it sounded much better than it had any right to, given the compact size of its sample library. Developed by Wizoo, Hypersonic was a very usable attempt to create a multitimbral sound module along the lines of Roland's JV1080, but as a VST Instrument. If I was asked to nominate the most under‑rated product of the last decade or so, one of the first things to come to mind would be Steinberg's Hypersonic.
Halogen sonik synth software#
Steinberg's new sound module software features a rich sound library, a powerful synth engine and the benefit of parent company Yamaha's workstation wisdom.
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